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| "I thought pain was part of the game" | Shelagh Aitken (auth/Teacher) | 6 | 3 | H.41.17 | |
| 'Thy fingers walk with gentle gait' - Reading the sonnet | Lawrence Bruce (auth/Teacher) | | 4 | H.24 | |
| 7th InternationalConference for Alexander Teachers Working in Music Institutions and Privately with Musicians | Judith Kleinman (auth/Teacher) | 6 | 1 | H.40.17 | |
| A technique for musicians | Frank Pierce Jones (auth/Teacher) | | | H.41 | |
| A Workshop for and about Musicians | Evangeline Benedetti (auth/Teacher) | 1 | 8 | H.40 | |
| Abstract: The effect of lessons in the Alexander Technique on music performance in high and low stress situations | Elizabeth R. Valentine (auth) | 4 | 1 | H.41.08 | |
| Accompanying Alexander | Alex Farkas (auth/teacher) | | 3 | H.41 | |
| Acting and inhibition | Paul Burge (auth/teacher) | | 5 | H.30 | |
| Acting and the Alexander Technique | Richard Levine (auth/teacher) | | 2 | H.30 | |
| actor and the neutral state, The | Joan Diamond (auth/teacher) | 1 | 2 | H.30 | |
| actor in you, The | John A. Baron (auth/teacher) | | 4 | H.30 | |
| actor's response, An | Jo Benincasa (auth) | | 2 | H.30.18 | |
| Aesthetic re-education | Alexander Farkas (auth) | | 6 | H.12 | |
| Alexander aid to acting | Diana Dantes (auth) | | 0 | H.30 | |
| Alexander and the musician | Elizabeth Waterhouse (auth/teacher) | | 4 | H.40 | |
| Alexander and voice work | Janet Madelle Feindel (auth/teacher) | | 6 | H.24 | |
| Alexander anthem, An | Nora Powles (auth), Powles (auth) | 3 | 1 | H.89.97 | |
| Alexander Directed for Actors | Janet Madelle Feindel (auth/Teacher) | 1 | 8 | H.30 | |
| Alexander in professional dance | Michael Schumacher (auth) | | 1 | H.50 | |
| Alexander lesson, An | Jean de Heger (auth) | | 1 | H.89.97 | |
| Alexander teachers at Russian dance festival | Jamie McDowell (auth/Teacher) | 6 | 1 | H.50.17 | |
| Alexander Technique - The preparation and performance of music - A pianist's view | Nelly Ben-or (auth/teacher) | 3 | 2 | H.45 | |
| Alexander Technique and autobiographical writing, The | Joan Diamond (auth/teacher) | | 79 | H.80 | |
| Alexander Technique and dance, The | Phyllis G. Richmond (auth/teacher) | | 10 | H.50 | |
| Alexander Technique and its relationship to voice and Shakespearean performance, The | Rob Macdonald (auth/teacher) | | 10 | H.30 | |
| Alexander Technique and piano performance, The | Patricia J. Gallup (auth/teacher) | | 0 | H.45 | |
| Alexander Technique and the actor, The | John Gray (auth/teacher) | | 9 | H.30 | |
| Alexander Technique and the actor, The | Meade Andrews (auth/teacher), Saura Bartner (auth/teacher) | | 2 | H.30 | |
| Alexander Technique and the actor, The | Meade Andrews (auth/teacher), Saura Bartner (auth/teacher) | | 2 | H.30 | |
| Alexander Technique and the audition, The | Christine Suhr (auth/teacher) | | 1 | H.26 | |
| Alexander technique and the dancer, The - preventive care during activity | Phyllis Richmond (auth/teacher) | 3 | 8 | H.50 | |
| Alexander Technique and the guitarist | George Clinton (auth) | | 3 | H.46 | |
| Alexander Technique for actors, The | Kelly McEvenue (auth/teacher) | | 148 | H.30 | |
| Alexander Technique for musicians: research to date. | Elizabeth R. Valentine (auth) | | 11 | H.41 | |
| Alexander Technique for performers (- Q & A) | Dr Miriam A. Wohl (auth/teacher) | 4 | 2 | H.20 | |
| Alexander Technique in movement and dance improvisation | Elisabeth Molle (auth/teacher), Renate Wehner (auth/teacher) | | 2 | H.50 | |
| Alexander Technique in music departments | Jo Fisher (auth/teacher) | 6 | 3 | H.40 | |
| Alexander Technique in the preparation and performance of music, The + A pianist's thoughts on the Alexander Technique | Nelly Ben-or (auth/teacher) | | 21 | H.40 | |
| Alexander Technique provision 2004-2005 in UK music conservatoires | Malcolm Williamson (auth/teacher) | | 2 | H.40.15.08 | |
| Alexander Technique teacher's perspective on the new approach, An | Janet Pinder-Emery (auth) | 20 | 2 | H.46 | |
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